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Pareigis, meanwhile, says she is keen to use her role as a journalist to tell the untold stories of black German empowerment.

Gouri Sharma is an independent journalist based in Berlin. She covers culture, current affairs and human rights. Subscribe to our Youtube channel for all latest in-depth, on the ground reporting from around the world.

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Once they no longer worked in the zoos or for performance acts, these people were stuck living in Germany where they had no rights and were harshly discriminated against.

During the rise of the Nazi party, the foreign actors in these stage shows were typically able to stay out of concentration camps because there were so few of them that the Nazis did not see them as a real threat.

The Hitler Youth did not allow children of foreign parents to participate, and adults were rejected as German soldiers. Many people of foreign descent intended to leave after the war, but because of their German nationality, it was difficult for them to emigrate.

Carl Hagenbeck [7] was a German exotic animal businessman who became famous for his dominating the animal trade market during the mid- to late s.

Heinrich Leutemann , an old friend of Hagenbeck's, suggested bringing along the people from the foreign lands to accompany the animals. The idea struck Hagenbeck as brilliant and he had a group of Laplanders accompany his next shipment of reindeer.

They set up traditional houses and went about their business as usual on the Hagenbeck property. The display was so successful that Carl was organizing his second show before the first one was over.

Carl Hagenbeck continued to bring indigenous people along with the animals that he was importing from across the globe.

The people would come with their hunting equipment, homes, and other facets of their daily life. In , Hagenbeck had a group of 6 Sami accompany a herd of reindeer, and by his acts included close to 67 men, women, and children in his Ceylon show performing with 25 elephants.

The performances also expanded from showing everyday activities such as milking reindeer and building huts, to displaying some of the more extravagant parts of the cultures such as magicians, jugglers, and devil dancers.

The notion of the human curiosity has a history at least as long as colonialism. In the Western Hemisphere , one of the earliest-known zoos , that of Moctezuma in Mexico, consisted not only of a vast collection of animals, but also exhibited humans, for example, dwarves, albinos and hunchbacks.

During the Renaissance , the Medici developed a large menagerie in the Vatican. In the 16th century, Cardinal Hippolytus Medici had a collection of people of different races as well as exotic animals.

He is reported as having a troupe of so-called Savages, speaking over twenty languages; there were also Moors, Tartars, Indians, Turks and Africans.

He also intended to exhibit the man's mother to earn more profit, but the mother died at sea. The man was named Jeoly, falsely branded as "Prince Giolo" to attract more audience, and was exhibited for three months straight until he died of smallpox in London.

One of the first modern public human exhibitions was P. These exhibitions were common in freak shows. In the s, exhibitions of exotic populations became popular in various countries.

Carl Hagenbeck , a merchant in wild animals and future entrepreneur of many zoos in Europe, decided in to exhibit Samoan and Sami people as "purely natural" populations.

In , he sent a collaborator to the Egyptian Sudan to bring back some wild beasts and Nubians. Geoffroy de Saint-Hilaire, director of the Jardin d'acclimatation , decided in to organize two ethnological spectacles that presented Nubians and Inuit.

That year, the audience of the Jardin d'acclimatation' doubled to one million. Between and , approximately thirty ethnological exhibitions were presented at the Jardin zoologique d'acclimatation.

Visited by 28 million people, the World's Fair displayed indigenous people as the major attraction. The World's Fair presented the famous diorama living in Madagascar , while the Colonial Exhibitions in Marseilles and and in Paris and also displayed humans in cages, often nude or semi-nude.

Nomadic Senegalese Villages were also presented. In , native people of Suriname were displayed in the International Colonial and Export Exhibition in Amsterdam, held behind the Rijksmuseum.

In , the Spanish displayed natives of the Philippines in an exhibition, where pinunsulares , or Spanish people born in Spain , gawked at the natives who they perceived as people who they "civilized".

This event added flame to the Philippine revolution. In the late s, Hagenbeck organized exhibitions of indigenous populations from various parts of the globe.

He staged a public display in of Sinhalese autochthones from the Sri Lanka. At the Pan-American Exposition [19] and at the World's Columbian Exposition , where Little Egypt performed bellydance , and where the photographers Charles Dudley Arnold and Harlow Higginbotham took depreciative photos, presenting indigenous people as catalogue of "types", along with sarcastic legends.

The exhibition of Koreans and Okinawans in "primitive" housing incurred protests from the governments of Korea and Okinawa, and a Taiwanese woman wearing Chinese dress angered a group of Chinese students studying abroad in Tokyo.

An Ainu schoolteacher was made to exhibit himself in the zoo in order to raise money for his schoolhouse, as the Japanese government refused to pay.

The fact that the schoolteacher made eloquent speeches and fundraised for his school while wearing traditional dress confused the spectators.

An anonymous front-page column in a Japanese magazine condemned these examples and the "Human Pavilion" in total, calling it inhumane to exhibit people as spectacles.

In , to increase the number of visitors, the Cincinnati Zoo invited one hundred Sioux Native Americans to establish a village at the site.

The Sioux lived at the zoo for three months. The US had just acquired, following the Spanish—American War , new territories such as Guam , the Philippines , and Puerto Rico , allowing them to "display" some of the native inhabitants.

At the behest of Grant, the zoo director William Hornaday placed Benga displayed in a cage with the chimpanzees, then with an orangutan named Dohong, and a parrot, and labeled him The Missing Link , suggesting that in evolutionary terms Africans like Benga were closer to apes than were Europeans.

It triggered protests from the city's clergymen, but the public reportedly flocked to see it. Benga shot targets with a bow and arrow, wove twine, and wrestled with an orangutan.

Although, according to The New York Times , "few expressed audible objection to the sight of a human being in a cage with monkeys as companions", controversy erupted as black clergymen in the city took great offense.

McClellan Jr. As the controversy continued, Hornaday remained unapologetic, insisting that his only intention was to put on an ethnological exhibition.

In another letter, he said that he and Grant—who ten years later would publish the racist tract The Passing of the Great Race —considered it "imperative that the society should not even seem to be dictated to" by the black clergymen.

On Monday, September 8, , after just two days, Hornaday decided to close the exhibition, and Benga could be found walking the zoo grounds, often followed by a crowd "howling, jeering and yelling.

One of the attractions was the Senegal Village with its French-speaking Senegalese residents, on show demonstrating their way of life, art and craft while living in beehive huts.

In , the infrastructure of the Scottish National Exhibition in Edinburgh was used to construct the new Marine Gardens to the coast near Edinburgh at Portobello.

A group of Somalian men, women and children were shipped over to be part of the exhibition, living in thatched huts.

By the s, a new kind of human zoo appeared in America, nude shows masquerading as education. The former was supposedly a real nudist colony , which used hired performers instead of actual nudists.

The latter featured nude women performing in western attire. A Congolese village was displayed at the Brussels World's Fair.

The event was subject to widespread criticism. Critics argued that presenting African culture in the context of a zoo contributed to exoticizing and stereotyping Africans, thus laying the ground work for racial discrimination.

In August , London Zoo displayed four human volunteers wearing fig leaves and bathing suits for four days. In , Adelaide Zoo ran a Human Zoo exhibition which consisted of a group of people who, as part of a study exercise, had applied to be housed in the former ape enclosure by day, but then returned home by night.

Although members of the group of 20 people—among them an infant, age three months—were not officially on display, it was necessary for them to "collect firewood in the zoo to cook their food, and [they] were being stared at and filmed by tourists and passers-by".

This explored the nature of Human Zoos and raised much controversy both amongst the performers and the audiences. From Wikipedia, the free encyclopedia.

For other uses, see Human zoo disambiguation. This section needs additional citations for verification.

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